Unit ENGLISH LITERATURE
- Course
- Philosophy and ethics of relationships
- Study-unit Code
- 40A00040
- Curriculum
- World religions and philosophy
- Teacher
- Annalisa Volpone
- Teachers
-
- Annalisa Volpone
- Hours
- 54 ore - Annalisa Volpone
- CFU
- 9
- Course Regulation
- Coorte 2023
- Offered
- 2023/24
- Learning activities
- Affine/integrativa
- Area
- Attività formative affini o integrative
- Academic discipline
- L-LIN/10
- Type of study-unit
- Opzionale (Optional)
- Type of learning activities
- Attività formativa monodisciplinare
- Language of instruction
- English
- Contents
- The course aims to explore the role and function of the short story in modernism, as a narrative form alternative to the novel, but also as a structural component of the novel itself. Examples will be examined from Katherine Mansfield, Virginia Woolf, and James Joyce. Students with disabilities and/or with SLD who, having completed regular accreditation through SOL, have obtained access to University services, can apply for the compensatory tools ensured by law (e.g. textbooks in digital format; teaching materials in accessible formats: presentations, handouts, workbooks, provided if necessary in advance of the lessons), for which consult https://www.unipg.it/disabilita-e-dsa.
For the request, students are invited to ask the teacher, who will put them in contact with the Disability and/or DSA Department Coordinator (prof. Alessandra Di Pilla: alessandra.dipilla@unipg.it) - Reference texts
- A selection of short stories will be uploaded on Unistudium. The selection of secondary texts will be indicated during class. Students with disabilities and/or with SLD who, having completed regular accreditation through SOL, have obtained access to University services, can apply for the compensatory tools ensured by law (e.g. textbooks in digital format; teaching materials in accessible formats: presentations, handouts, workbooks, provided if necessary in advance of the lessons), for which consult https://www.unipg.it/disabilita-e-dsa.
For the request, students are invited to ask the teacher, who will put them in contact with the Disability and/or DSA Department Coordinator (prof. Alessandra Di Pilla: alessandra.dipilla@unipg.it) - Educational objectives
- Understanding of the variety of narrative forms in modernism and their peculiar interaction.
- Prerequisites
- Knowledge of the historical and literary context (important) and of the texts examined (useful).
- Teaching methods
- Although the course is mainly structured as face-to-face lessons, students are invited to comment and discuss about the lecture subject.
- Other information
- Students with disabilities and/or SLD: for any information on University services, consult the page https://lettere.unipg.it/home/disabilita-e-dsa and contact the Disability and/or DSA Department Coordinator (prof. Alessandra Di Pilla: alessandra.dipilla@unipg.it)
- Learning verification modality
- A 2500 word essay in English to be submitted at least 10 days before the exam session, and a brief oral discussion of the themes and texts explored in the course (15 minutes max). Students with disabilities and/or with SLD who, having completed regular accreditation through SOL, have obtained access to University services, can apply for compensatory tools, dispensatory measures and inclusive technologies ensured by law, to be requested and agreed with the teacher well in advance of tests and exams. For general information, consult the page https://www.unipg.it/disabilita-e-dsa and contact the Disability and/or SLD Department Coordinator (prof. Alessandra Di Pilla: alessandra.dipilla@unipg.it).
- Extended program
- The course aims to explore the role and function of the short story in modernism, as a narrative form alternative to the novel, but also as a structural component of the novel itself. Examples from Katherine Mansfield, Virginia Woolf, and James Joyce will be examined. In particular, the course will demonstrate two opposing movements within modernism, one that goes from the short story to the novel and the other that goes from the novel to the short story.