Unit HISTORY OF ART CRITICISM AND COLLECTING ACTIVITY
- Course
- Archaeology and history of art
- Study-unit Code
- 35212206
- Curriculum
- Generico
- Teacher
- Cristina Galassi
- Teachers
-
- Cristina Galassi
- Hours
- 36 ore - Cristina Galassi
- CFU
- 6
- Course Regulation
- Coorte 2022
- Offered
- 2023/24
- Learning activities
- Affine/integrativa
- Area
- Attività formative affini o integrative
- Academic discipline
- L-ART/04
- Type of study-unit
- Obbligatorio (Required)
- Type of learning activities
- Attività formativa monodisciplinare
- Language of instruction
- Italian
- Contents
- Requisitions of artistic made in Italy and in Europe by Napoleon in the period between 1797 and 1815 with an emphasis on Italian campaigns of 1796-1797 and 1811-1812 , the latter by Dominique - Vivant Denon , and in particular the case of Umbria . The course will explore the works requisitioned , together with sources of Italian art and French literature at the base of the collectings. In the course it will prove , in addition, as many other dynamics following, ranging from the destruction of the past , modernization , and re-ordering all'iperrestauro, were largely opened on the occasion of that crucial decade .
- Reference texts
- - C. Galassi, Il tesoro perduto. Le requisizioni napoleoniche e la fortuna
della scuola umbra in Francia tra 1797 e 1815, Perugia, Volumnia editrice
2004
- C. Galassi L'Abregè della Guida al forestiere per l'Augusta città di
Perugia di Baldassarre Orsini (1784), in Guide e viaggiatori tra Marche e
Liguria dal Sei all'Ottocento, a cura di B. Cleri, G. Perini, Urbino, Palazzo
Albani, 26-27 ottobre 2004, Quaderni di Notizie da palazzo Albani, Urbino
2006, pp. 355-382.
- Readings from: Ideologie e patrimonio storico-culturale nell'età
rivoluzionaria e napoleonica. A proposito del trattato di Tolentino, Atti del
convegno, Tolentino, 18-21 settembre 1997, Roma 2000
- Readings from: Vasari, Bellori, Orsini, Quatremere de Quincy, Wescher - Educational objectives
- Good knowledge of the works of art seized , the art literature related to
them, the criteria for the choices made by the Napoleonic comissioners
and history of collecting - Prerequisites
- For an understanding of the topics discussed during the course, students
must have a good knowledge of art history and the history of art
criticism. This precondition is valid both for students attending and not
attending - Teaching methods
- Face to face, practical training, seminars and field trips (optional)
Other information Address email Cristina Galassi:
cristina.galassi@unipg.it
Learning verification - Other information
- Address email Cristina Galassi:
cristina.galassi@unipg.it - Learning verification modality
- The exam includes only the final oral test consisting of a discussioninteview
on the topics discussed during the course and examined indepth
through reccomended texts. The test aims at assuring the level of
knowledge und understanding, as well as synthesis, achieved by the
student. Moreover this interview will verify that the student is able to
communicate, with method and propriety of language, what he has
acquired. The duration of the test varies depending on the performance
of the test itself and begins, as a rule, with a subject of the student's
choice in order to put him at ease - Extended program
- The course aims to analyze the dispersion of the rich Italian artistic
heritage during the Napoleonic era, especially in the period between
1797 and 1815, when, as a result of the Treaty of Bologna and Tolentino,
a large number of masterpieces of ancient and modern art Italian were
transferred to the Louvre by the commissioners appointed by Napoleon.
The course intends to examine this dispersion in relation to the Italian
and French contemporary art literature and by relating it also with issues
related to the history of collecting and museology. Particular attention
will be paid to the situation in Perugia and Umbria