Unit HISTORY OF MODERN ART II

Course
Archaeology and history of art
Study-unit Code
35252506
Curriculum
Generico
Teacher
Laura Teza
Teachers
  • Laura Teza
Hours
  • 36 ore - Laura Teza
CFU
6
Course Regulation
Coorte 2022
Offered
2023/24
Learning activities
Affine/integrativa
Area
Attività formative affini o integrative
Academic discipline
L-ART/02
Type of study-unit
Opzionale (Optional)
Type of learning activities
Attività formativa monodisciplinare
Language of instruction
Italian
Contents
Analysis of the development of Perugino's artistic career and Raphael's beginnings in relation to the research and new scientific results resulting from the various exhibitions promoted during the fifth centenary of the deaths of Perugino, Raphael, and Signorelli (2021-2023). The development of their career will also find moments of comparison with that of Luca Signorelli, who was also the subject of a recent exhibition.
Reference texts
Further bibliographic indications, also modulated on the specific interests of the students, will be provided in class
Il meglio maestro d'Italia. Perugino nel suo tempo, cat. mostra GNU 2023.
P. Scarpellini, Pietro Perugino e la decorazione della sala dell’udienza, in Il Collegio del Cambio in Perugia, a cura di P. Scarpellini, Milano, Amilcare Pizzi, 1998, pp. 67-106.
A. de Marchi, La cimasa eucaristica della Pala dei decemviri, in La pala dei Decemviri di Pietro Perugino, Perugia, Aguaplano libri, 2020, pp. 27-44. Il Perugino di San Pietro. La pala d’altare dell’Abbazia benedettina di Perugia, catalogo della mostra, (Perugia, Abbazia di San Pietro, 2 ottobre 2023-7 gennaio 2024), a cura di L. Teza, Milano, Dario Cimorelli editore, 2023.
Signorelli Maestro Luca da Cortona, pittore di luce e poesia, cata. della mostra (Cortona23 giugno - 8 ottobre 2023) a cura di T. Henry, Milano, Skira.
Educational objectives
The student will be able to read the surrounding historical and artistic environment and be able to describe and argue on the main critical trends relating to the sixteenth century in Umbria.
Prerequisites
A good knowledge of the main figurative phenomena of the fifteenth and early sixteenth centuries.
Teaching methods
Lectures with interactive dynamics and frequent student involvement. Educational visits to the National Gallery of Umbria and to the main settlements of the sixteenth century courts in Umbria.
Learning verification modality
Frequent dialogues that stimulate learning and comparison.
Extended program
The problem of Pietro Perugino's artistic training and the culture of the cycle of the Miracles of San Bernardino. Perugino's works in Umbria. The parallel development of Pintoricchio's language. The presence of Luca Signorelli in Umbria and the debut of the young Raphael.
Obiettivi Agenda 2030 per lo sviluppo sostenibile
The goal is to build programs aimed at building cultural welfare, a new integrated model for the promotion of well-being and health of individuals and communities, through practices based on the visual and performing arts and on cultural heritage.
Condividi su