Unit CLASSICAL ARCHEOLOGY I
- Course
- Archaeology and history of art
- Study-unit Code
- A001917
- Curriculum
- Generico
- Teacher
- Gian Luca Grassigli
- Teachers
-
- Gian Luca Grassigli
- Hours
- 36 ore - Gian Luca Grassigli
- CFU
- 6
- Course Regulation
- Coorte 2022
- Offered
- 2022/23
- Learning activities
- Caratterizzante
- Area
- Archeologia e antichità classiche e medievali
- Academic discipline
- L-ANT/07
- Type of study-unit
- Obbligatorio (Required)
- Type of learning activities
- Attività formativa monodisciplinare
- Language of instruction
- Italian language
- Contents
- Methodologies of investigation of the collective imagination of classical antiquity - Symbolic production system - Image and literature -Dynamics of the visual system in the culture of the classical world
- Reference texts
- G.L. Grassigli, L'iconografia di Licurgo: iniziazione e trionfo dionisiaco, in Ostraka 4, 1995, pp. 229-248.
G.L. Grassigli, La fede di Astion. Per un'interpretazione del Cratere di Derveni, in Ostraka, 9, 1999, p. 99-143.G.L. Grassigli - M. Menichetti, Lo scudo e lo specchio. Forme della catoptromanzia, in "Le perle e il filo. A Mario Torelli per i suoi settanta anni", Osanna ed., Potenza 2007, 147-177.
M. Menichetti, Le armi magiche della guerra e della seduzione, in Incidenza dell'antico, 7, 2011, 137-157.F. Careri, La fabbrica degli affetti.La Gerusalemme Liberata dai Carracci al Tiepolo, Il Saggiatore 2010.F. Lissarrague, Le temps de boucliler, ed. on lineFurther texts will be indicated during the course - Educational objectives
- Good knowledge of the imagination of the ancient world and the system of its functioning - Ability to decode texts and images of the ancient world in their interrelation - Basic knowledge of the mechanisms of symbolic construction
- Prerequisites
- Basic knowledge of the art history of the Greek and Roman world
- Teaching methods
- Lectures - reading and commentary of images and literary pieces
- Learning verification modality
- oral examination
- Extended program
- On the basis of a series of mythical stories and figurative representations, the role of the shield and mirror in the symbolic production system of the classical world will be investigated